Springtime romance all year round – meet Jude Ouvrard

Author Jude Ouvard

Author Jude Ouvard

Tell me a little about why you started writing.  I started writing when I was a kid. I always had stories going on in my head. Most of them were about a bunch of girlfriends starting college.  I started writing my first story after I had read my fist young adult novel. It inspired me and gave me a sense of freedom.

Why is romantic fiction a favorite genre?  I love reading romantic fiction. I’ll read any genre of book as long as there is a love story. I decided to write romance because I truly enjoy creating the first moment, first kiss and passion.
Tell me about your writing as it relates to Canada. All of my stories are based in the USA: New York, Boston, Seattle etc…  I only have one story that is based in Montreal and it isn’t published. I wrote it two years ago. It’s actually the first story that I have written in English. I might eventually work on it and publish it.

Romanic Novella by Jude

Romanic Novella by Jude

Where do you get your story ideas?  Any particular motivation?  I get my ideas or motivation from events that occurred in my life or simply out of my imagination. I get most of my ideas when I’m driving; it seems to be the only place where all the ideas come together.
How do you feel about being Indy published? It feels good. I hope to become a bestseller author someday. I want to be able to write as a living.

Who would you say were your greatest author influences?  Nicholas Sparks inspired me a lot at the beginning. I read most of his books. Later, I read Beautiful Disaster by Jamie McGuire and it changed everything. I admire her a lot. I think she is an amazing writer.  I love her style and her writing.

What was your most flattering moment after writing the book? The most flattering moment was when I got my first review. It was a five star review and that made me the happiest person alive.

Why would readers want to choose this book? My novella, Under the Sun, is easy to read. Nothing is complicated. It’s the story of two persons falling in love. Both of them have gone through a lot and together, they can help each other.  It’s part of a beach read anthology called Heat Wave.

What are you working on next?  My next novella Wonderland will be out at the end of October.  I am also working on a novel right now. The title is Body, ink, and soul. I am hoping to publish by the end of 2013.

Where can my readers get your books?

AMAZON CANADA       AMAZON US

Jude Ouvard is a young, aspiring Canadian author.   She is mother to small children and works full time, yet still finds time for her passion of writing.   Enjoy her blog.

 

 

 

 

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Give Peace a Chance

peace in our nation

Peace among our nation . . .is it possible?

As writers, we hold a power.  The power of the spoken word.  You have the power to transmit the reader to a world which may or may  not exist.   Within the genre of historical fiction, as a writer you have the ability to recreate historical experiences and events through a new lens.   Now that is power.

By virtue of that power, you as a writer can craft works which bring out learning lessons, challenging journeys, heroic feats, and humbling demises.   One can learn from controversy.   Educated debate is what fuels the souls of the gifted.   Those with political klout can fuel huge paradigm shifts of the masses.  Just take a look at Oprah Winfrey.  Small town abused girl come multi-million megastar.   What bliss that her intentions are genuine.  Bring messages which can change the way we look at life.

Yes, as the writer you hold the power of the pen.  The written word far outlasts what is spoken.   It is printed.  Copied.  Archived and saved for generations to come.

As we face a controversial decision in our world – facing the atrocities in Syria, we are a nation polarized.  Do we, as a free nation, champion the injustice of chemical warfare against women and children?  Or. . . do we follow suit with the cautious hesitance to enter a dangerous war – another winless battle against evil.   Do we risk losing our sons and daughters?   The resounding answer is NO!

Our Congress must listen.  Hear the voice of the people. Click here to make your voice heard!  In the words of John Lennon, “Give PEACE a chance.”

Indie publishing options? Yep You’ve Got Em!

Amanda M. Thrasher author

A woman with a pen and a purpose!

This post is a guest blog post by successful Indie publisher Amanda M. Thrasher of Phoenix Rising Press.   Not only is she a publisher but an award winning author who knows the ropes.   Enjoy!

Despite what you might think many authors CHOOSE independent publishing- commonly known as self-publishing, instead of going down the traditional publishing path.  Reasons vary, but include the following:

1. queries and submissions take forever

2. marketing via the author is still required

3. splitting royalties gets old

4.  tracking sales can become an issue

5.  pressure to meet projected sales in order to keep advances is a burden

6.  reserve held against royalty accounts for returns (unsold books returned to publisher) actually a reason most authors aren’t familiar

and my personal favorite

7.  overall lack of control of the product – your book

I left my publisher for some of the same reasons, as did my business partner.  I personally pulled three titles.  But once that decision was made, time was of the essence. We decided that if we were going to do this, we were going to do it our way –  the writers/author way.  It was for this reason that we started our own small press.   Progressive Rising Phoenix Press, LLC was founded this year, 2013.  We’re not a traditional publisher – don’t even claim to be.  We’re authors working together for the good of all, marketing cooperatively.  We know strength in numbers is smarter than working alone, gives us industry recognition under a label. I guarantee that’s where most small authors miss the boat –truly working together to sell titles, that’s different than a plug, true cross- selling.

Cross marketing is so important to what we’re tying to build, strength in numbers.  In fact, I’d go as far to say that it’s an authors responsibility.  Everyone pulling his or her weight benefits all.  Ten heads are better than one.  Just ask our authors – we ask them.  Why? Because we know their creative minds have brilliant ideas and they count.   We know the industry is changing.  That’s not news.  It’s our job to try and keep up.

We took six months off.  We didn’t do events or even promote our own work, in order  to build our label.  We networked to figure out what options we had and what industry requirements were needed.   The issue was returnable books, mandatory for large vendors.  How would Indie press deal with those?   There were  choices out there, but they were combined with risk.

Solution?  We used certain printers who offered specific things for authors and vendors, retailers, wholesalers, depending on the fan base required.   We plotted the  market, overall goals, projections of potential sales.   Going with a small press gives you options and strength in number.  There’s far too much additional  information to share within a blog,  but there are some basic differences between a small press and self-publishing alone of which an author should be aware.  Please feel free to contact me regarding questions.  I’ll share what I know, still learning, but we’ll get there.   Options – yep, you’ve got em!

Fundamentally, here are some resources to begin scoping out!

*CS = CreateSpace

*LSI= Lightning Source Ingram (Lightening Source division of Ingram)

*Returnable Status= Returned books that do not sell

*BookPartners=Printer

Here are some basic differences to understand between CreateSpace and Lightning Source:

 CS – Cheaper books for author / direct sells.

CS – 100% Royalties less production, Royalties Defined as Sales Price Less Printers Share

LSI – Returnable Status option – Mandatory for brick and mortar vendors (C.S. non-returnable)  R/ Yes R/N R/Destroy

LSI – Multiple Print options

CS doesn’t offer hard covers posted for distribution sale (they will produce) for an extra fee, but will not sell. Children’s books: can not put titles on spine or produce glossy pages, dust cover, saddle stitch, staple, perfect (again perfect bound important for children’s books name on spine), plastic comb. Nice choices for the author.

LSI- has every available print option you’d like- title on spine must be a certain page count, trim size etc. expensive due to inks, pricey but available quality, industry compliant.

C.S. picture books, a little cheaper per print page (good for children’s) gets pricy to SRP = suggested retail price (listed price)

LSI- Paper back (trade paper), Hard Cover- files are considered two separate files. Two fees.

LSI- will offer a Multi-Volume set of books sold under one ISBN. Ex: The Selected Works of William Shakespeare.

* Othello * Hamlet * Romeo and Juliet *King Lear * Macbeth * The Merchant of Venice  (Once again…options).

By the way, BookPartners and its organizer,  Tim Mallot are an excellent choice for author copies of books and books for direct purchase for special events.  They are a great source for hardcover, glossy print children’s books  requiring title on the spine.  Their books are perfectly bound and shipped direct.  We love them!

 Best wishes, 

Amanda M. Thrasher

http://www.progressiverisingphoenix.com or http://www.amandamthrasher.com

Do Amazon and Createspace rip us off? The update.

It’s has been several months since first publishing and republishing the story about Amazon and Createspace failing to report accurate sales.  It’s absolutely evil.   Here is what has been learned.

It's almost evil!

It’s almost evil!

Hundreds of authors contacted me regarding the inability to see their sales, especially from expanded distribution channels.   The story has been blogged and tweeted.  One author, on the grounds she stay anonymous, as her book was just picked up by one of the “Big Six” and she feared be dropped, told me that over 500 of her books sales never showed.AgeView Press was contacted by the Vice-President of Customer Service at Createspace, George  X ecr@createspace.com  who explained that he takes customer concerns very personally.  He pulled up my account for my latest book SOLO VIETNAM.   Now, I know for a fact that since it was published, April 2013 that at least ten friends have ordered it from Barnes and Noble and other retailers, which should have shown up on CreateSpace’s records as expanded distribution orders from Ingram.   Mr. X kindly shared with me that I had shown one sale from Expanded Distribution.  When asked where that was from?  He was not allowed to provide me that information.    Yet, he could see it from Ingram.

It get’s better.  This time, I chose not to go with KDP select.  I never saw the increased sales following the 4,000 free downloads of my award winning novel FLYING SOLO.  Not even after hawking it with KindleMojo, World Literary Cafe and anywhere I could get the info out there.   Never saw them.   I sold very few books with KDP select.  So this time, I decided to expand my ebook availablity by having in in multiple formats, Kindle, Nook, ebook and ibook via BookBaby.

The jury is out.   Scads of folks have downloaded the book in various formats, many writing reviews.    Yet, to date I show zero sales on BookBaby.   Now, to be fair, their policy is that after a sale is made in particular month, it can take up to 60 days after that month closes for them to report the sales from their distribution.   Seriously people?    Sixty freaking days?  Dont’ we live in an electronic world?   Are these retailers like Kobo, Itunes ibook, Barnes and Noble using the Pony Express?

What the heck?   <—-please insert selected four letter vulgarity here!

As an Indie author and owner of a small press, I find this completely outrageous.  How can one possibly track the availability of their marketing?   Last year, I sold more books hawking them myself via book signings and the Texas Author Book program and made more for each copy.  The problem?   And authors, you will just love this one, the numbers of books you order yourself from CreateSpace do not count as sales!    Yet, when big publishers order 10,000 copies of a new release for distribution, that book is automatically put on the New York Times best sellers list!

Again. . . what the heck?  No that one deserves fuckity-fuck, fuck, FUCK!!!

The morale of the story?   Authors you better love what you do.   Have a great time writing your Indie books, going to book signings and enjoying your fifteen minutes of fame.    Because unless you are born under a lucky star, you are barely going to break even.

What’s sad is that because of the desire to become famous, small press and Indie press have seen waves of authors turn to the dark side.   Vampires were hot, so they wrote that.   Bondage was hotter with 50 Shades of Grey, so they wrote that.    There are literally hundreds of thousands of poorly written books which overshadow quality Indie writing that get’s literally lost in the sea of Indie wannabes.    What’s an author to do?

1.  Keep complaining to CreatSpace to show your immediate electronic and expanded distribution sales

2.  Join forces with reputable Independent Press organizations like Independent Author’s Network, Readers Alliance and Book Your Next Read #BYNR.

3.  Follow Jonathan Gunson‘s tips for Indie author success.   Follow book bloggers.   Make thoughtful posts on their blogs.  Gain their trust.   Then ask for a review.

4.  Before you tweet a random book, READ IT!   Dont recommend books that are off your brand, poorly written crap.   Save your tweets for worthy words.

5.  Keep your network of solid, proven Indie Authors tight.   Communicate and unite.   Network and promo them.   Attend worthy writer’s conferences like Lexicon. You’ll be amazed.   By paying it foward, your returns will be rich.

A lawyer, David Berke has contacted AgeView Press about joining forces with other authors to draw publicity to this dilemma.   The Associated Press contacted AgeView Press, but the journalist, Hillel Italie, HillelHItalie@ap.org  never followed up on the story.   It continues to happen.   To me and to many other authors.  Please email this reporter and let them know this is NOT an isolated incident.

We keep the faith.   Continue to try and stay positive in the marketplace.   And most of all. . . write because we love doing it!    Please feel free to SHARE and reblog this post.   Grassroots efforts really do result in action.   Just ask President Obama!

Boomer Lit Blog Hop – a new genre of books

There is a new boom for us baby boomers and that boom is Boomer LIt.   Books that relate to those of us 50 and beyond.   Great stories about our times.  There are blogs about it.  Goodreads sites.  Facebook pages.   Us Babyboomers are a force to be reckoned with. As such, I am delighted to participate in a blog hop to give you such a taste!  Here is an excerpt from my upcoming release Solo Vietnam.   A sequel to Flying Solo which involves a baby being born into this time frame.  Solo Vietnam continues that story into the most controversial war ever.  A French Cajun aviatrix.  An A-4 Skyhawk pilot.  Vietnam. Enjoy Solo Vietnam!

Solo Vietnam Cover

Available April 2013 from AgeView Press

As she walked the few blocks from the olive colored streetcar, which dropped her off at Carrollton and Birch, she thought about everything she had been through. The illicit affair with the love of her life, her pilot instructor, Steve Novak. Their crazy temporary living arrangement, where she served as caregiver to his sickly wife, Marci.    Their star crossed love affair, which had produced her baby daughter, now living in Texas somewhere.  The ill-fated goodbye on the steps of the train station in downtown Dallas. It was a time from which Nora thought she could never recover.  And yet, here she was; a sultry, moderately popular, New Orleans night singer, a pilot, and a woman with her own place, freedom, and independence.

Her children, now ranging in age from eleven to seventeen were all teenagers.  Well, all but one, Iggy.  Her lone son, the youngest, was a precocious, pre-pubescent teen.  For the briefest moment, she reminded herself that he was not the youngest.  That would be the baby she gave away, now age five.  Ugh, too painful.  No.  She would not think about that at all.  Mardi Gras was over.  Time for lent.

Ready to take on the commotion of getting the children off to school, Nora creaked open the black-faced wrought iron gate to her home.  As she climbed the five stairs up to the raised, single floor duplex, she could tell something was amiss.  The normal chaos of the early morning was frenetic.

Cathy, already dressed in her long, navy blue, wool uniform shirt and white blouse slammed open the front filigree screen door.   “Thank goodness you are finally home.  Kayce’s gone!” she exclaimed.

“Kayce’s gone?  Whatever do you mean?”  Nora queried.

“She’s gone.  Kaput.”  Cathy histrionically bellowed.

As Nora entered the parlor, Leisel bounded in.  “Yep. Cathy’s right, Mama.  Kayce is missing.  She musta left before we even got up,” she hurriedly explained.

Nora dropped the two grocery bags she was carrying and clambered back to the girls’ shared bedroom.  Then, she checked the bathroom off the middle bedroom and the kitchen.  Kayce was nowhere to be found.    Opening the back screen porch door, she scanned the red brick patio surrounded by azalea bushes and large backyard with its towering oak trees.  Nothing.  No trace of her.

Iggy, who had followed Nora into the kitchen, noted a hand-written card propped next to Nora’s coffee pot on the stove.  Nora could tell it was Kayce’s handwriting.  It simply read,

Mother.  I’ve tired of the calamity of your life and your choices.  I have

gone to seek my own life and happiness. I am against the war, the

establishment and especially you.  I have left the pain of New

Orleans forever.  You can find me and my people in Haight-Ashbury.

“Oh my God.  Christ almighty.  Kayce has run off to be a flower-child,” Nora rolled her eyes.   “Good Lord.”

This Boomer Lit book is coming out this month, April 2013 from AgeView Press!  The best selling, 5 star rated Flying Solo is already out in print, ebook and Kindle.  Hop on over to some of the other great boomer lit books!

books available from jeanette vaughan flying solo and solo vietnam

Books Available from Jeanette Vaughan

Solo Vietnam coming April 2012

Alright readers . . . you have asked for it, salivated over it. . . here is an excerpt of the upcoming release of SOLO VIETNAM, sequel to FLYING SOLO.   Coming in just days!   Release should be around the first week of April 2013.   Please enjoy!   Would love your comments, RTs, reblogs and invitations to your friends.   Already getting great advanced reviews!    Thanks so much for your readership and support.

Chapter 28

∞ Tonkin Gulf ∞

 Steve packed his B-4 bag in silence.  He expected that like the rest of the crew on board the Coral Sea, that he had only a few weeks before they set sail toward home.   He wasn’t the only A-4 pilot being reassigned to the USS Bon Homme Richard.  Because of a fire on the Bonnie Dick back in the fall, they were short of pilots. There were several others scheduled to serve in the Tonkin Gulf until October.  Once on deck to await his COD helo, Steve ran into Pete Watterman, the helo pilot he had met before.

“Lt. Commander,”  Pete saluted.

“Lt.” Steve saluted back.  “At ease.”

“Hey man, how’s it going?”  Pete asked.

“Being relo’d.   To the Bonnie Dick,” Steve replied.

“Yep, I’m taking some of the pilots over now.  COD.”

“Aren’t I included on that manifest?”

“No, man.  You’re orders must have changed again.  Sorry.”

“What?” For a moment, Steve was confused.

Before Pete turned to make his way to his helo he offered, “Hey Lt. Commander Novak.   You’re an alright guy.  Nice to have met another man from Dixie land.  Good luck out there.”

“Same to you,” Steve responded.

About three other pilots and their bags were loaded.   Pete geared up his propellers, kicking up some salty mist. About that time, Steve was approached by Commander Woolcock, the skipper from his squadron.

“Sir,” Steve saluted.

“Sorry to jerk you around, buddy.  But there’s been a change in plans.  You’re to bingo off to Chu Lai, taking one of our scooters for hand-off to VMA-311.    She’s seen her days on the decks of the Coral Sea.   Commander Nelson from Air Ops is fazing her out.”

“Gotcha,” Steve acknowledged.  Chu Lai?  How lucky could he get?

“But that’s not all.  Your recent service bought you some R and R.  After you hand off the plane,  you’ve got three days before you report to the Bon Homme.  Here’s your pay advance.”

Steve was handed an envelope containing the customary $200 given to pilots for spending money during their brief time off.   He couldn’t believe his luck.   Chu Lai, Nora and R and R.  It couldn’t possibly get better.

Often, when the navy felt an A-4 had seen its days on the carrier, they would send the plane to one of the marine VMA stations for repair and refit.   The marines would patch it up, repaint their own VMA call signs and the plane would be used for another hundred missions or so.   Second hand.

After pre-flighting the Skyhawk, Steve was given signal from the LSO to cat.  One last look at the deck of the Coral Sea.  She had been good to him.  As he gained altitude, he saw the lights on the deck become a small line of white, amidst a black sea.

He would be flying under night cover to transport the plane.   Another chance to see the war in action at night, from 10,000 feet.   By now, he knew the coast well.  He could see stars out everywhere on this clear night.

Despite flying over a war zone, it was relaxing in a way, to be flying a plane for delivery instead of a mission.  On shore, he intermittently caught site of flares being dropped.  There were white hot lights of anti-aircraft fire launched skyward.   It was a short flight from the deck of the carrier to Chu Lai, a mere ninety miles.  Before long, he saw the lights at Danang.  The moonlight was shining on the pristine, yellow-white sands of China Beach.

Soon, he visualized the river at Chu Lai.  As he descended, he saw the sampans out in the water.  No attacks for tonight.  He radioed Chu Lai ground and got clearance to land.

“Chu Lai tower, this is Blue Tail NL-317 requesting to land, over.”

“Bingo in, NL-317.  Keep your eye on the meatball.  Clear to ground.”

The runway at Chu Lai was fairly short.  He positioned the plane such that his slope would contact the arresting gear.  Lowering his speed and putting down his landing gear, with a small bump and scrape, Steve touched down at Chu Lai at 1930 hours.

There was no one to meet him on the tarmac.  For a moment, he wasn’t sure where to go.  But then, a marine flight crew approached.  Haggard and cover in dust in grease, they were a site.  One of them radioed for a jeep.   Steve took a moment to take the flight line in.  It was sure a far cry from the organized symmetry of the Coral Sea.    There were bunkers and razor-edged barbed wire everywhere.  It looked like the tarmac as well as the flight line had taken some substantial mortar attacks. Airplane parts, partially burned out made it a metallic graveyard.

A six by six jeep transport pulled up with three other pilots in it.   “Where to, Lt. Commander?” beckoned the driver.

“The USO club.  I hear they’ve got a great singer there,” Steve said.

“Yeah.  Righto.  Tonight’s a Mardi Gras party.   But you’ve only got about twenty minutes to curfew.”

“Then step on it,” Steve chided as he threw his bag in the back.

“Right on, Sir,” the jeep took off and sped toward the beach and the club.  As it neared, Steve could hear the sounds of jazz emanating from inside.  He could hardly contain himself and nearly jumped out of the jeep before it pulled adjacent to the make-shift arched bridge over a trench to the entrance.

Homesick for New Orleans, Nora arranged through her black market connections with Woody, to get the adornments for a Mardi Gras celebration.  Doubloons, beads, and plenty of seafood.   She booked a Vietnamese band that could play some jazz.  One more way to bring a little bit of the U.S. to Vietnam.

They place was packed.   Bar and restaurant were almost standing room only.   GIs were bedecked in vibrant Mardi Gras beads.  Some had on colorful masks.  The distinctive spicy smell of Zartaran’s filled the air from boiled shrimp and “bugs,” a crustacean native to the South China Sea.  Steve traced the sounds of jazz to the porch along the backside.   Sure enough, Nora was crooning out one of her favorites, Moon River.   He stood in the breezeway out of her sight.

She looked amazing, as always.   Radiant smile.  Bright pink lipstick.   Long, sensuous legs and high heels.  Her skirt had to be at least eight inches above her knees.  Damn, she was hot.

The crowd cheered as Nora wrapped up her song.  “Thank you all for coming tonight.  Les bon temp roulles.”  The GIs hooted and hollered.   As she finished replacing the mike in its stand, Steve came up from behind her.

“Say gorgeous, I’d know that voice anywhere,” he whispered in her ear.  Nora felt her knees grow weak hearing his voice.

Whipping around, she exclaimed, “What the heck?  Steve, where the devil did you come from?”

“About a hundred miles north of here.  Just to see my gal,” he couldn’t resist and in front of everyone grabbed her and planted a big kiss on her lips.   Catcalls erupted from every corner of the bar.

Nora was a mass of emotion.  Joy, tears, and pent up libido just  hearing his voice.  Taken aback at first, she quickly recovered.   “I can’t.  Not here.  Let me wrap things up and make sure everyone clears curfew.  Then,” she pulled him close and whispered in her sultry voice, “I’m all yours.”

Directing her cook, dishwasher and one of her girls running the bar, she quickly wrapped things up for the evening.  The books and tabs could wait till the morning.  She thanked everyone for the great job they did.  Within a few minutes, due to curfew, it was just Steve and herself left in the bar.

“What on earth are you doing in Chu Lai?”

“Had to deliver a Skyhawk for refurb to VMA-311.  How’s that for luck?”

“Brilliant,” she said throwing her arms around him.  “I’m just tickled pink you are here.”

“Nice place you got going,” he said referring to the club.

“The girls and I have really worked it over.  It was a dump.  But I’ve learned to make, uh, well, let’s just say connections.”

“That’s the navy way.  Way to go girl,” he could hardly keep his hands off of her.  “I’m about as randy as ever.  But where can we go?”

“I’ve been thinking about that,” she had a gleam in her eye.

“Certainly not to your hooch,”

“Nope.  The girls are there and curfew’s on.  But we might be able to sneak out back under the decks.  There’s a small, unused, elevated tent.  It was the original officer’s mess, near the beach.”

“Sounds great, doll.  Let’s go,” he said taking her hand.   Nora locked the place up and they quietly snuck out down the back steps of the club.  They walked close to the jungle line of trees, so as not to be seen by the sentry guards.  Clearing through some brush, they came to a clearing with the tent.  It was dank, dark, and sandy, but they didn’t care.  They were finally alone.

The flap of the tent barely went down before he had his hands all over her.  The fact that there was dust everywhere and cob webs didn’t bother them. They finally had a secluded, stolen moment alone.  He kissed her passionately, relinquishing the pent up sexual tension between them.  She darted her tongue in around his mouth, long, slow and ardent.

Pulling her close into him, she felt his desire for her.  He was rock hard.  He stopped kissing her for a moment and looked deeply into her eyes.   Without saying a word, he unzipped the back of dress, exposing her shoulders.    He lowered his head and began kissing along her collar bone, starting on her left.

And. . . . you will have to just purchase the upcoming copy to see the rest!!!!!

Back by popular demand! The Amazon Rip-off!

So many readers and authors have contacted me regarding Amazon and CreateSpace ripping them off with inaccurate reports of sales, that I was compelled to repost this blog.   The question remains. . . what do we as Indie Authors do about it?   Please, repost this article and tweet it.   Will someone from the press or AP ever pick it up?

I had one AP reporter contact me. . . she did not believe it was happening.  But if you are an author, you know it is.

Guest post by John. R. Clark, Managing Editor at AgeView Press

When AgeView Press Indie pubbed the book FLYING SOLO in May of 2012, the author, Jeanette Vaughan  immediately began tracking sales.   She heard from excited friends and family who immediately emailed when ordering their copies.  The first sales were off of Createspace’s e-store with the title ID number given to the author.   Then, through Amazon, a week later, when the book went live on the site.  Finally on Kindle, when the ebook format was completed.

ostrich head in the sand
“Where, oh where are my royalties?”

Initially, things appeared kosher.    People exclaiming that they had ordered the book, were showing up within a day or two on the electronic royalty reports with a reasaonable accuracy.    But by June and July, sales descrepencies were noted by the author from customers claiming that they had purchased the book directly through Amazon, not an Amazon affiliate.    Many of these sales were simply not listed.The author contacted Createspace customer support, who gave assurance that all sales were being accurately reported.   FLYING SOLO was now also on Kindle Direct Publishing (KDP) Select as well as expanded distribution channels, which included Amazon affiliates in the UK, France, Germany, Italy, and Spain.    Sales were being reported to the author from readers and bookclubs in Canada, Australia, and New Zealand.

The first note of apparent discrepancy came when a dear friend of the author ordered three copies of the book from Amazon in June.    These books were ordered all at the same time, from Amazon.com direct.   Yet, that cluster of three sales was never posted as such.      Another instance in early July involved the same issue.    Again, a customer ordered three copies, yet no sales were trackable through Amazons channels for three sale purchased on the same day.

Meantime, the author was making public appearnances, being featured on blogs and radio, and rounding with booksignings.   During the months of June and July, no expanded distribution channel sales were posted on the royalty report, yet customers were emailing the author letting her know how much the book was being enjoyed overseas.   More than 15 five star reviews for the novel were posted on Amazon.

What should have shown as a surge of sales, as the book peaked, never appeared on the royalty reports.   The author was suspect.   She contacted Ingram directly, only to be informed that they were not supposed to reveal information to an author directly.  So, the Indie publisher, AgeView Press made the call.    Ingram showed 16 copies of the book ordered through their system total since May.   Those sales never showed on the June or July royalty report.    The author filed formal complaints with Createspace customer service, but received only canned letters in response explaining  that indeed there was an issue with reports in Expanded Distribution and it was being investigated.   Advice to author?  Please be patient.

By August, it was clear there were gross in accuracies.  The 30 copies ordered from Barnes and Noble never showed up.   Few if any sales were listed for August.    Yet the author had confirmation of over 4,000 copies in distribution worldwide.    The crowning blow came in September.   A plan was devised.    A friend, agreed to help with the investigation.   She ordered a copy of FLYING SOLO on September 7th, taking screen shots of her order and confirmation of payment directly from Amazon.    She printed out here receipt showing date and time of purchase.   The book arrived on September 13, to San Jose, California.   Photos were taken.   The sale was complete.    Copies of all screenshots and receipts were scanned and sent to the author.    By September 20th,  no sales were shown at all on Createspaces report.    Phoning Createspace, the author was informed that no sales were showing for Amazon for the month for that title.    It was time for outrage!     What had been suspected, had now been proven.  Not once, but twice!

Time to climb up the foodchain.  After many phonecalls and emails to Createspace, a Senior customer service “executive” phoned personally and stated he would investigate.    Talk about a wacky result.    Due to the print on demand status of Createspace books, sometimes they are one or two books ahead.   Thus even though your book was printed in one month, but sold in another, a royalty might actually show up in the prior month for that sale.   What???

No one expects to get rich off of writing a book.    Few and far between are the Oprah Bookclub golden orbs of success.    But how are authors to trust a system, happy to take their money for assisting to create and publish a book, which does not thoroughly, detail accurate sales?    Simply outrageous.   What options does that leave the Indie publishers?     How can they possibly track the success of their marketing efforts.   Is the publishing world doomed to be controlled by the big six?     Are small bookstores and Indie presses to be overrun by powershouse chains which offer the Indie published writer no turf?

How can the press or the author be sure those sales are accurate with no detail?   Rise up Indie authors!    Repost this story!    Tweet it, facebook it.    Make it go viral.   Print it and send it to your local newspaper and the Associated Press.   This abject fraud is outrageous and MUST STOP!

John R. Clark, Managing Editor, AgeView Press